ourella

proxecto | the project

Nacho Muñoz aka madamme cell // Spanish composer and electronic musician / sound artist // piano concerts /// live electronic sessions //// street sound art videoperfomances. I live and work in Galicia, a little rural region in the Northwest of Spain. My work with the piano is strongly influenced by my research about electronic and generative processes (analog synths, Pure Data, Arduino), and i like to develope with the piano (in an poetic/no scientist way) those kind of processes. Simultaneously I compose electronic sounds listening the own internal algorithmic / musical processes of these sounds, while I modulate them in a live session. At the same time, I love walking, listening and performing with many wonderful sound situations in the cities. My street sound art project called Sound Parkour is a video-compllation of some of those performances.

current projects:
Sonic Parkour (concert for piano and urban sounds)  // madamme cell (experimental electronics)  // IgMig (free art rock) // Verbenas Periféricas (art / tech and community) // 

 

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band camp

vinilo
discografía | discography

:: BACHELOR IN HUMAN 

(piano music, electronics, art and poetry) // This CD contains the amazing artwork by Davide Creus, a surrealistic text by Estevo Creus and diferents musics and poetrys by madamme cell, including generative electronics, piano solo compositions, sampling works and electroacustic compositions. // Piano recorded at Conservatorio Superior do Porto (PT) in Summer of 2009. Released by NON OU EDICIÓNS, 2012 (Galicia) // Photo madamme cell by Nela Que

:: ANCHORED IN THE FUTURE

:: ANCHORED IN THE FUTURE (algorithmic pop) // a (de)generative popnoise no laptop maximall room session. Made in real time with a synth + looper + piezo // cover art by David Creus // Released by MODISTI, 2014.

:: THE WINE MONSTERS

:: THE WINE MONSTERS (electronics + signal processing) // by Lawrence Casserley Madamme Cell // Lawrence began making electronic music in the all analogue world of the 1960s — for the last thirty years he has focused his work on live digital signal processing of sound, with a particular emphasis on improvised music, sound/light installations and collaborations with visual artists and poets. // Lawrence and Nacho met in the Vyner Gallery in London and created monsters ¿^_^?  // Cover art : Davide Creus // Released by Crónica Electrónica, 2014

:: AUTOTEMPO

:: AUTOTEMPO  (generative electronics) // series of micro pieces from noise and disturbance generated by four oscillators.
A non-final order probabilistic and mutable disorganize attack disappear… // Cover Art : Davide Creus // Released by Xylem Records (UK), 2013

:: OPERA FORTE FONÉTICA

:: OPERA FORTE FONÉTICA (experimental opera) // Nesta voráxine de literalidade, datos, comunicacións, produtos, etiquetas, simplificacións, abreviaturas, regulacións, asepsia tecnolóxica, segura, fácil, limpa, asequible, impoluta, neohiperrealista APARIENCIA…. xorde dende Acqua : OFF periférica imprevisible, violenta, marxinal, maldito poetaDESEXO // Released by  Alg-aLabel (GZ)2 010 // Cover Art by Antia Sánchez

:: 6 TRACKS LOOKING FOR A NETLABEL

:: 6 TRACKS LOOKING FOR A NETLABEL (electroacustic improv) // Room live session (London) // Noel Taylor (clarinets) + madamme cell (no laptop electronics) // Cover art by David Creus

:: O FRACCIONAMENTO DO ASOMBRO

:: O FRACCIONAMENTO DO ASOMBRO (sampling music) // Pezas compostas con “células” ou obxetos sonoros extraídos de varias grabacións de improvisacións libres ou “asombros”. “Reanimación dunha librería repleta de .wavs n pleno delirio de sometemento, dispostos a calquer tipo de vexación con tal de saír de C:\ig\madame cell\impros\mostras. Proxección secuencial de diapositivas sonoras ou exaltación do obxeto sonoro metamorfoseado en texturas ou paisaxes. Contrapunto de timbres ou sucesión de superposicións. Mostrario de mostras ou manipulación de cadeas de símbolos.  // A emoción sempre residual. ¿unha lástima?” // Released by Alg-a Netlabel 2007 // Cover Art by Nela Quesada

pianoicono

concertos | concerts

Igmig: Ocupai Art Festival 015 (San Pedro do Sul/PT) Anchored in the future: La Caníbal Librería 015 (BCN) eXperimental eLectronics: Ryan’s Bar 015 (London) Autotempo: Niu 015 (Barcelona) Autotempo noise=noise 015 (London) LIO 015 Cafe Oto (London) The Wine Monsters: Vyner Studio Gallery 013 (London) Summer of Labs 012: Alg-a Lab (Vigo) Zarata Gz Fest: Liceo Mutante 012 (Pontevedra) Encontro Telepresencias: Hangar 012 + Laboral (Xixón) Licenciado en Humano: USC 011 (Compostela) Periferias como Centros 011: Off Limits (MAD) III Jornadas Arquitecturas Colectivas 011: (Pasaia) Sonar Galicia 010 (A Coruña) Tan In-auditos: Casa das Atochas 010 (A Coruña) Encontro Improvisación Libre 010: Taberna Alabanda (Madrid) II Semana Salvaxe de Poesía o11 (Ferrol) Brosella Festival 08 (Brussels) International European Radios Festival 05 (Budapest) Instituto Cervantes 09 (Hamburgo) Pista Digital o10 (Sevilla) Chá das Eiras 010 (Porto) Up Town 09 (Porto) Wakata Club 09 (Praha) Saint Lukas Art School 08 (Brussels) II Festival Música Exploratoria 09 (Barcelos, PT) Off International Teathre Festival 07 (Edimbourgh) Festival Arte iberoamericano 06 (Holguin/Cuba) Festival Sahara Libre 06 (Tinduf/Sáhara)

[ madammecell@yahoo.es ]

   [ 0034.631.715.798 ]

diseño & realización